Downtown
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Downtown
Los Angeles, Wayfinding
LA River
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
LA River
Los Angeles, Wayfinding
Koreatown
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Koreatown
Los Angeles, Wayfinding
Jacaranda
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Jacaranda
Los Angeles, Wayfinding
LAX American Airlines
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
LAX American Airlines
Los Angeles, Wayfinding
LAX Fed Ex
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
LAX Fed Ex
Los Angeles, Wayfinding
El Segundo
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
El Segundo
El Segundo, Wayfinding
Interstate 10
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Interstate 10
California, Wayfinding
King’s River
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
King’s River
California, Wayfinding
Ranch, Central California
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Ranch, Central California
California, Wayfinding
Grazing Cows, Central California
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Grazing Cows, Central California
California, Wayfinding
Farm, Central California
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Farm, Central California
California, Wayfinding
Crater Mountain
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Crater Mountain
California, Wayfinding
Church, US State Route 395
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Church, US State Route 395
California, Wayfinding
State Route 24
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
State Route 24
Utah, Wayfinding
Lincoln
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Lincoln
Massachusetts, Wayfinding
Port of Boston
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Port of Boston
Massachusetts, Wayfinding
Boston Common
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Boston Common
Massachusetts, Wayfinding
MIT
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
MIT
Massachusetts, Wayfinding
Miami
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Miami
Florida, Wayfinding
Homestead
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Homestead
Florida, Wayfinding
Palm Tree
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Palm Tree
Florida, Wayfinding
Everglades
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Everglades
Florida, Wayfinding
Key West
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Key West
Florida, Wayfinding
Puna
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Puna
Hawaii, Wayfinding
Near Tikal
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Near Tikal
Guatemala, Wayfinding
Caye Caulker
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Caye Caulker
Belize, Wayfinding
Taipei
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Taipei
Taiwan, Wayfinding
Gate
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
Gate
Taiwan, Wayfinding
Sea Shore
The Wayfinding series departs from the static landscape, isolated in time and space, in favor of a dynamic vision of transition. In each image, the horizon is the primary recognizable feature that orientates the viewer while blurring obscures the foreground. Viewers are able to locate themselves generally, but a fixed location within that space is denied. The specificity of each image relies on the viewer’s internal recognition of a particular memory or association with the imagined space. The incongruities between the shifting foreground and stable background suggest the complex relationship between present and past, self and other, the personal and the communal.
The term, wayfinding, has multiple meanings. Wayfinding refers to the techniques Polynesian seafarers utilize to navigate open oceans without the benefit of navigational instruments or landmarks. Architects also use the term to describe verbal (signs, maps) and non-verbal cues for directing a person through a particular space.
